{"id":11,"date":"2022-12-13T12:05:56","date_gmt":"2022-12-13T12:05:56","guid":{"rendered":"http:\/\/rifandinugroho.com\/?p=11"},"modified":"2023-01-17T07:04:27","modified_gmt":"2023-01-17T07:04:27","slug":"retracing-traces","status":"publish","type":"post","link":"http:\/\/rifandinugroho.com\/?p=11","title":{"rendered":"<strong>Retracing Traces<\/strong>"},"content":{"rendered":"\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1518113803&#038;color=%23ff5500&#038;auto_play=false&#038;hide_related=false&#038;show_comments=true&#038;show_user=true&#038;show_reposts=false&#038;show_teaser=true&#038;visual=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/rifandi-septiawan-nugroho\" title=\"Rifandi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Rifandi<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/rifandi-septiawan-nugroho\/sets\/retracing-traces\" title=\"Retracing Traces\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener\">Retracing Traces<\/a><\/div>\n\n\n\n\n<span style=\"color: rgb(0, 0, 0); font-family: archivo;\">Audiozine<br>First Published in Utrecht, 2022\n<br>Part of Fellowship of Situated Practice\n<br>Basis Voor Actuele Kunst<\/span>\n<span\u00a0style=\"color: rgb(0,=\"\" 0,=\"\" 0);=\"\" font-family:=\"\" karla;\"=\"\">\n<\/span\u00a0style=\"color:>\n<span style=\"color: rgb(0, 0, 0); font-family: Archivo;\"><strong>Retracing Traces<\/strong> is a compilation of field recordings that have been circulated around four\nLahan Becek (wetlands) area, where the seafarer communities in Indonesia live &amp; connected\nthrough the history of trade and threat of land reclamation. In the intermediate zone between\nland and water\u2014such as estuaries, swamps, sands, and coral reefs\u2014the seafarers transmit\ntheir memories, histories, and knowledge through the traces of their spatial practice in lieu of\narchival materialization. The method of making this work employs memorial practices of the\ncommunities as a pathway to the pedagogical imaginaries of an archive, specifically by using\nthe site-specific sonic experience referred by seafarers to connect situations from one site to\nthe other.&nbsp;<\/span><span style=\"color: rgb(0, 0, 0);\">The compilation of materials are used to the so called sonic-ethnographic workshop, as part of Troubling Archive group in &#8220;The Hauntologists&#8221; program in BAK Utrecht. It consists of sound mark annotation, orientation to the sound, and juxtaposition to the existing materials using the field recording process. At the end, the mobilized sound used to exchange stories, memories, and experiences between participants. The whole activities demonstrate the possibilities to transmit memories &amp; knowledge through interaction, instead of looking into permanent objects, artifacts, or archives.<\/span>\n<p><span style=\"color:#000000;\">Credits<\/span><\/p>\n<p style=\"color: rgb(0, 0, 0);\"><strong>Concept &amp; Research |<\/strong> Rifandi Septiawan Nugroho<strong><br>Field Recorder |<\/strong> Rifandi Septiawan Nugroho, Muhammad Rifqi Fajri, Tesar Resandi<strong><br>Mixing &amp; Mastering |<\/strong> Rifandi Septiawan Nugroho<strong><br>Cover Illustration |<\/strong> Rizqi Maulana<strong><br>Artist |<\/strong> Pak Bajin (Pulau Bungin), Topa &amp; Opik (Dadap)<strong><br>Production | <\/strong>Cut &amp; Records<strong><br>Program Curator |<\/strong> Julia Morandeira<br><br><\/p>\n<p>Conce<\/p>\n<span style=\"color:#000000;\"><p><br><\/p><\/span>\n<p><br><br><\/p>\n<p><br><\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/posts\/11"}],"collection":[{"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11"}],"version-history":[{"count":99,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/posts\/11\/revisions"}],"predecessor-version":[{"id":540,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=\/wp\/v2\/posts\/11\/revisions\/540"}],"wp:attachment":[{"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/rifandinugroho.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}